Mathieu Copeland
B. 1977, lives and works in London, UK
Taking its construct both within the reality of a film and its medium, “The Exhibition of a Film” (L’Exposition d’un film) envisages through a polyphony of sound and images the possible textures offered by the cinematic environment. The time of the film stems from the spatial ad-equation of a projected image and of a sound heard. The film’s spatialization defines its different textures, and thus creates an exhibition both to be seen and listened to, in other words, a cinematic experience. An exhibition for a context, namely a film screened in a cinema, which is as much an exhibited film as the film of an exhibition or a filmed exhibition. Working within its own abstraction, this exhibition as a feature film plays with the spatialization of sound, and its polyphony in space. It envisages the unicity of the image and its possible fragmentation on the screen. This exhibition considers its structure as its material, and is constructed by the alternating and confronting of abstract elements and/or filmed scenes.
“The Exhibition of a Film” (L’Exposition d’un film) features, among others, Mac Adams, Fia Backström, Robert Barry, Erica Baum, Stuart Brisley, Jonathan Burrows, Nick Cave, David Cunningham, Philippe Decrauzat, Peter Downsbrough, Maria Eichhorn, F.M. Einheit, Tim Etchells, Alexandre Estrela, John Giorno, Sam Gleaves, Kenneth Goldsmith, Myriam Gourfink, Karl Holmqvist, Marie-Caroline Hominal, Myriam Lefkowitz, Franck Leibovici, Benoît Maire, Charles De Meaux, Karen Mirza & Brad Butler, Ieva Misevičiūtė, Meredith Monk, Charlotte Moth, Phill Niblock, Deborah Pearson, Vanessa Place, Michael Portnoy, Lee Ranaldo, Lætitia Sadier, Laurent Schmid, Leah Singer, Mieko Shiomi, Susan Stenger, Sofia Diaz + Vítor Roriz, Kasper T. Toeplitz, Daniel Turner, Cosey Fanni Tutti, Alan Vega, Lawrence Weiner.
A production of the HEAD – Genève, with the support of the Fonds stratégique HESSO.
Cinéma Spoutnik
Premières, conversations and Hans Ulrich Obrist’s Marathon in Cinema
For the BIM 2014, the Cinema Spoutnik will host in première four films, followed by discussions with the artists. Check out the calendar for details on the screenings. These films will then be screened in loop from Sunday 21st September until the end of the exhibition at the Cinema Dynamo. On Saturday, Hans Ulrich Obrist, co-director of the Serpentine Gallery, will host a marathon talk on moving images at the Cinema Spountik with John M Armleder and the film directors of the BIM 2014 after the screenings.
Unfinished histories. Le réel et le possible
Médiathèque du Fonds municipal d’art contemporain
Cinema Dynamo
Collaboration with the R4 Video Art Festival
HEAD – Geneva's Inaugural week at BIM 2014
Auditorium of the Bâtiment d’art Contemporain
The HEAD and its departments of Visual Arts and Cinema conceive their inaugural week around the BIM 2014 (15 – 21 September). The school, its professors and students are actively involved in the Biennale through a series of screenings, conversations with artists, specific activities conceived by the HEAD’s professors... The inaugural week is divided into 3 separate programs with activities running simultaneously in the different venues of the Biennale during the HEAD’s inaugural week and the opening of the BIM 2014.
6 – 4 – 2
presented by LiveInYourHEAD
Based on the relation between projected images and sound, 6 – 4 – 2 is conceived as a two part project: it opens with an intense series of talks, performances and screenings – offering every day, during 6 hours, a different event; it will then be remodelled into a 4-week exhibition.
Between light installation, futuristic scene and dark room, the project is freely inspired by the Space Theater experience, a space imagined by a collective of composers and artists at the end of the 1950s – the ONCE GROUP – to host new forms of electronic music and interdisciplinary performances. In dialogue with an installation by artists Ceel Mogami de Haas et Vianney Fivel, the works by over 20 international artists is apprehended as multiple experiences between internal visions and time, mental maps and digital creations. A tribute to the artist and composer Robert Ashley (1930–2014), imagined by Quinn Latimer, a writer and critic, and Vincent de Roguin, a musician, artist and student at the HEAD-Genève is closing the program.
Between light installation, futuristic scene and dark room, the project is freely inspired by the Space Theater experience, a space imagined by a collective of composers and artists at the end of the 1950s – the ONCE GROUP – to host new forms of electronic music and interdisciplinary performances. In dialogue with an installation by artists Ceel Mogami de Haas et Vianney Fivel, the works by over 20 international artists is apprehended as multiple experiences between internal visions and time, mental maps and digital creations. A tribute to the artist and composer Robert Ashley (1930–2014), imagined by Quinn Latimer, a writer and critic, and Vincent de Roguin, a musician, artist and student at the HEAD-Genève is closing the program.